Muruvanda Anand Subaya

Anand Subaya is a film editor who has made significant contributions to Hindi cinema through his work on a wide range of feature films and television productions. Known for his association with filmmakers and production houses such as Excel Entertainment, he has worked across multiple genres, including drama, thriller, comedy, action, and musical films.

His editing credits include several acclaimed and commercially successful productions, establishing his presence as a professional in the Indian film industry.

Family

Father

Muruvanda Das Subaya

Mother

Muruvanda Pushpa ( Kumbera )

Sibling

Muruvanda Shiuli Subaya

Career in the Film Industry

Anand Subaya began his career in Hindi cinema with the film Khwahish (2003). He subsequently worked on films such as Lakshya (2004), Being Cyrus (2005), and Don (2006). Over the years, he became associated with several notable filmmakers, including Farhan Akhtar, Zoya Akhtar, and Reema Kagti. His work with Excel Entertainment has been an important part of his professional journey.

Notable Film Editing Credits

Some of Anand Subaya’s notable film editing credits include:

• Lakshya (2004)
• Don (2006)
• Luck by Chance (2009)
• Zindagi Na Milegi Dobara (2011)
• Talaash (2012)
• Fukrey (2013)
• Happy New Year (2014)
• Dil Dhadakne Do (2015)
• Gold (2018)
• Lootcase (2020)
• Toofaan (2021)
• Yudhra (2024)
• Madgaon Express (2024)
• Superboys of Malegaon (2025)

His filmography also includes television and digital productions such as TVF Tripling, Dahaad, and Made in Heaven.

Awards and Recognition

Anand Subaya received the IIFA Award for Best Editing in 2012 for his work on Zindagi Na Milegi Dobara.

Contribution to Indian Cinema

Anand Subaya’s work spans a diverse range of films and genres. His professional association with major filmmakers and production houses, along with his contributions to acclaimed films, reflects his experience and standing in the Hindi film industry.

His career represents the contribution of film editors, whose work in shaping scenes, sequences, and narratives plays a vital role in the final cinematic experience.